Black and White
Black and White (Under age 40? You won't understand.)You could hardly see for all the snow,
Spread the rabbit ears as far as they go.
Pull a chair up to the TV set,'Good Night, David.
Good Night, Chet.'My Mom used to cut chicken, chop eggs and spread mayo on the same cutting board with the same knife and no bleach, but we didn't seem to get food poisoning.
My Mom used to defrost hamburger on the counter and I used to eat it raw sometimes, too. Our school sandwiches were wrapped in wax paper in a brown paper bag, not in ice pack coolers, but I can't remember getting e.coli.Almost all of us would have rather gone swimming in the lake instead of a pristine
pool (talk about boring), no beach closures then.The term cell phone would have conjured up a phone in a jail cell, and a pager was the school PA system.We all took gym, not PE, and risked permanent injury with a pair of high top Ked's (only worn in gym) instead of having cross-training athletic shoes with air cushion soles and built in light reflectors. I can't recall any injuries but they must have happened because they tell us how much safer we are now.
Flunking gym was not an option even for stupid kids! I guess PE must be much harder than gym.
Speaking of school, we all said prayers and sang the national anthem, and staying in detention after school caught all sorts of negative attention.We must have had horribly damaged psyches. What an archaic health system we had then. Remember school nurses? Ours wore a hat and everything.I thought that I was supposed to accomplish something before I was allowed to be proud of myself.I just can't recall how bored we were without computers, Play Station, Nintendo, X-box or 270 digital TV cable stations.Oh yeah and where was the Benadryl and sterilization kit when I got that bee sting? I could have been killed!We played 'king of the hill' on piles of gravel left
on vacant construction sites, and when we got hurt, Mom pulled out the 48-cent bottle of mercurochrome (kids liked it better because it didn't sting like iodine did) and then we got our butt spanked.
Now it's a trip to the emergency room, followed by a 10-day dose of a $49 bottle of antibiotics, and then Mom calls the attorney to sue the contractor for leaving a horribly vicious pile of gravel where it was such a threat.We didn't act up at the neighbor's house either; because if we did we got our butt spanked there and then we got our butt spanked again when we got home.
I recall Donny Reynolds from next door coming over and doing his tricks on the front stoop, just before he fell off.Little did his Mom know that she could have owned our house.
Instead, she picked him up and swatted him for being such a goof. It was a neighborhood run amuck.
To top it off, not a single person I knew had ever been told that they were from a dysfunctional family. How could we possibly have known that we needed to get into group therapy and anger management classes? We were obviously so duped by so many societal ills, that we didn't even notice that the entire country wasn't taking Prozac! How did we ever survive?
LOVE TO ALL OF US WHO SHARED THIS ERA; AND TO ALL WHO DIDN'T, SORRY YOU MISSED. I WOULDN'T TRADE IT FOR ANYTHING!Pass this to someone and remember that life's most simple pleasures are very often the best.
Thursday, July 31, 2014
Black and White TV - Good Night and God Bless
Wednesday, June 25, 2014
SCOPITONE Was Early Video of the Mid-60s - Rare Duet Treat Neils
Friday, June 20, 2014
Book Traces ALLAN SHERMAN Difficult Childhood To Unique, Overlooked Genius- Brings Back to Life Golden Era
buy book here - more below
A year before 'Hello Muddah, Hello Faddah,' there was the breakout album for Sherman, 'My Son The Folksinger,' which was really parodying the Jewish culture in America a the time. I remember the relatives gathering around the card table in the living room of our home, actually LISTENING to 'My Zelda' (from Belafonte's 'Matilda'), 'Sarah Jackman' (from Frera Jacques), 'Streets of Miami' instead of 'Streets of Loredo,' etc. as Sherman both celebrated Jewishness and skewered parts of it. It was perhaps the first such ethnic album that became popular with mainstream America, in 1962; even President Kennedy, an Irish Catholic, enjoyed the album. I loved it, too, maybe more for the music than the lyrics, most of which I did not understand at the time, but there was something about this music/commentary. It certainly brought our family together for one of the few times, again, really LISTENING rather than trying to out-talk one another.
Rare video of Allan Sherman with Dean Martin and Vic Damone doing a number of great parodies
If my family had 'rough Jewish edges,' Allan Sherman's had many more. He may have only gotten through the many family moves, parental shifts and so forth by sublimating the dysfunction through his writings, and , later, the musical parodies that would hit big time. Though I have only begun the book I am already taken back to my own similar experiences growing up around the kitchen table, being encouraged to 'eat, eat' or in Yiddish, 'ess, ess,' while being told it's better to be seen than heard. So, I took a back seat and witnessed the Jewish culture around me with mixed emotions - a wonderful, historical culture with rich, intellectual properties yet sometimes with some of the less-desired aspects shoved down the throat (figuratively and literally).
Sherman's sordid yet colorful past gave him the ideal life experiences for which he would be become famous in the musical parodies he wrote. We learn that those parodies were his means of expression, throwing off the his one-time mother's 'chains of bondage,' as it were, as well as other dissatisfactions growing up - not always Jewish ones. Sherman also mocks the new suburbia that was taking over American in the early Sixties in songs like 'Here's to the Crabgrass.'
Mark Cohen takes a subject, Sherman, who had never really been written about in any depth before, and not only brings him and the time period back to life in 'Overweight Sensation and gives us a very detailed, well researched, documented and footnoted treatise on Sherman. Cohen has been able to gain access to not only the Sherman estate archives but many of the people who knew him - while they are still with us. The only thing missing from the book are actual multi-media samples of audio and video of Sherman; of course those are obtained through various sources like Youtube; we have also put some up on our tribute to Sherman and this book http://oldiescountry.com/allan-sherman-unclassified-comic-genius-legacy-revived-in-new-book/
Whether you remember Allan Sherman or not, this book is a fantastic historical time capsule from what may be the 'Golden Era' of comedy about a man with a unique talent and story. Five Stars.
ALLAN SHERMAN - TOP
PARODY COMIC
GENIUS APPRECIATED
MORE TODAY
I can still see myself, as a kid just over 50 years ago, sitting around the card table in the the family living room with relatives intently listening to the 'hot' new album by ALLAN SHERMAN, 'My Son The Folksinger, in 1962.
The moment has had a lasting imprint on my brain. I had no idea what the 'Drapes of Roth' were in Sherman's parody of 'Mine Eyes Have Seen the Glory,' nor what he was talking about when what resulted when 'My Zelda (instead of Matilda) found her romance when I broke the zipper in my pants' fashioned from the Belafonte song 'Matilda.' All I knew is that I loved the music, which stood on its own and remains today a classic time capsule of the early 1960s.
Many years later I came to appreciate the lyrics, too. The art of music parody is all but non-existent today save for, perhaps . Wierd Al . Looking back 50 years gives new appreciation to the work of Allan Sherman

Now, thanks to a new biography from Mark Cohen, "Overweight Sensation,' http://www.allanshermanbiography.com/,
folks over 50 are rediscovering the genius of Allan Sherman,
the top music parody writer of all time (with all due respect to the great Weird Al Yankovich) and a man who helped make Jewish humour popular in mainstream American culture.
According to Cohen, 'My Son The Folksinger,' which was Sherman's first and biggest of seven albums, was considered too ethnic by early critics, who thought it could only be a hit in the large Jewish populations of New York, Miami and Los Angeles. Yet, surprisingly -before we heard the term 'viral' in the widespread use of today- Sherman's popularity in the Jewish burgs spread quickly and became mutli-cultural, a No. 1 hit from the Borscht Belt to the Bible Belt; in my opinion, people like ourselves (at the time) who didn't understand or appreciate the lyrics probably liked the music in its own right. Even President Kennedy was a fan of Sherman's (see picture of the two together).
Sherman's songs were not only funny but they were commentaries on the society and pop culture of the day with Sherman specializing in the new suburbs (eg 'Suburbia' on My Son the Nut Album ) as well as the Jewish ethnic humour. And, looking back 50 years many of his thoughts ring true, today, what with people returning to the cities from the suburbs, the growing dissatisfaction of 'animation' as in the song of the name on same My Son the Nut album, which , though not as big as 'Ny Son the Folksinger,' was still a number one album for weeks in July and August, 1963 and featured the big hit, 'Hello Muddah, Hello Faddah.'
A song like ' Shake Hands With Your Uncle Max,' in which Sherman pokes fun at Jewish names such as 'Stein with an 'i' and Styne with a 'y' actually helped make Jewish names acceptable. Jews began to stop anglicizing their names.
Surprisingly, according to Cohen, Sherman's big, initial success was based solely on the ethnic humour as his biggest single, 'Hello Muddah, Hello Faddah' , didn't come out until a year later, in July, 1963, when it, too, was a No. 1 hit, but having little to do with ethnic sterotypes but only the fear of being sent off to summer camp. I remember my own camp experiences and becoming so infatuated with this song that I memorized all the lyrics
Allan Sherman's personal life was a mess. The child of a broken home and dysfunctional parents who were in show business themselves, he lived mostly with his grandparents as a child in the Jewish section of Chicago. The obese Sherman overindulged in not only food , but later got carried away in his successes and had multiple affairs and indulged in sex orgies. Yet , on a talent level, he continued putting out great material; besides his seven albums, he had his own TV show , wrote several books and even a broadway musical before he passed, prematurely, at age 49 in 1973 of a heart attack brought on by his overweight and several other serious health issues.
Today you can find most of Sherman's work on Youtube, including long out of print or unreleased material which Cohen has posted on his Youtube channel (search 'Mark Cohen Allan Sherman') and find such great novelties as '76 Sol Shermans' based on '76 Trombones.'
Sherman never matched the brilliance or popularity of his first album, MSTFS, but had a number of non-ethnic stand out songs later in his career. His take on Mary Poppins' 'Chim chim cheree' poked fun at the commercials of the day and 'Good advice' looks at what might have been had the great inventions been altered by the great inventors,as follow .
For Allan Sherman he might have had a song called 'Good Timing,' while living during the Golden Era of musicals and popular culture he was able to parlay the music of the day into his own unique brand of parodies, both comedic and poignant at the same time, while even having a positive influence on the culture despite his many personal flaws. Lots of Sherman's songs are timeless and some were good prognosticators of things to come like 'Animation'on My Son The Nut LP. Imagine if he were alive today with the digital divide today! sherman tribute Unlike lesser known , short-lived yet talented comic careers of contemporaries like Totie Fields and Jackie Vernon, Sherman achieved a distinct creative niche over a full decade and should go down in history as one of the great comedians if not music performers; the fact that he can't be classified fully into a distinct category has relegated Sherman to the 'bargain bins' of music shopping but, perhaps , with the new book we'll see a deserved resurgence of appreciation for Sherman. 
Author MARK COHEN will be speaking about Allan Sherman and his book @ Temple Sinai in Oakland June 20. Also , an interesting hour long interview here with Cohen and Rabbi Saul Solomon Finally, 'Lost Parodies - There is NOthing Like A Lox' was recently released and available here

Author MARK COHEN will be speaking about Allan Sherman and his book @ Temple Sinai in Oakland June 20. Also , an interesting hour long interview here with Cohen and Rabbi Saul Solomon Finally, 'Lost Parodies - There is NOthing Like A Lox' was recently released and available here

Wednesday, May 28, 2014
ROY ORBISON UPDATED MASTERPIECE UNPARALLELED - INCLUDES DVD, UNRELEASED GEMS
ROY ORBISON NEW MYSTERY GIRL DELUXE features Unreleased, DVD, Roy's Boys
Customer Reviews
- Slaninka Frantisek| 15 reviewers made a similar statement
- Eduard Roca Astol| 11 reviewers made a similar statement
- Marlena Joann Capistran| 10 reviewers made a similar statement
It's like Christmas getting new material from the late, great ROY ORBISON - and this one is the best ever. Dare find a better album/package out there today.
Thanks to Roy and his boys, Wesley, Alex and Roy Jr., we have a terrific new double disc set, bargain priced, which features 10 unreleased songs/demos plus 10 previously released PLUS an hour DVD documentary of previously unreleased footage of Roy Orbison, Jeff Lynne, Tom Petty, George Harrison, Jim Keltner, Mike Campbell, Tom Petty, Barbara Orbison, Bono, Wesley Orbison, Alex Orbison, Roy Orbison Jr. and many more discussing the making of Roy Orbison's 'comeback' album from 1989, now terrifically updated.
We started with the DVD, savoring the excellent commentary from 'Roy's Boys - who now run Orbison productions since the passing of their mother/Roy's wife, Barbara- and others including the aforementioned artists. This disc, alone, is 'worth the price of admission.' There's not weak song in the bunch. Each song has a story and most of the writers are here to tell what it was like working with Roy Orbison on his greatest album, only months before he passed.Much of the writing and work took place in or near Roy's home in Malibu, California, overlooking the Pacific Ocean ,which contributed to the heavenly sounds
Amazon editorial review:
The discography of Roy Orbison (1936-1988) - which yielded some of the most heartfelt, passionate classics of the rock 'n' roll era - shined even brighter with the release of Mystery Girl, the last album Orbison recorded, in 1989. Now, a brand-new version of this star-studded classic further amplifies the beauty of Roy's final work.
The commercial success of Mystery Girl was nothing short of impressive: the album was a Top 5 hit, eventually earning Orbison his first platinum award for over 1 million sales, and featured the worldwide Top 10 smash You Got It. MYSTERY GIRL DELUXE 25th anniversary edition is packed with stunning extras. The original album is appended by nine unreleased bonus audio tracks, including studio demos and the previously unheard song The Way Is Love, based on a long-lost demo featuring new instrumentation from Orbison's children, Wesley, Roy Jr. and Alex, and John Carter Cash, son of Orbison's longtime friend Johnny Cash. The accompanying DVD features a new hour-long documentary on the making of the album, Mystery Girl: Unraveled, executive produced by Roy's sons. The documentary features new interviews with those behind the album including Steve Cropper, Tom Petty, Mick Campbell and Jeff Lynne. In addition to the documentary, the DVD includes eight wonderful music videos, including an unreleased alternate video for "She's a Mystery to Me" and three new videos for "The Way Is Love", "You Got It" and "California Blue."
dEL SHANNON, LEFT, WHO COVERED FOUR OF ROY'S SONGS, MEETS HIS IDOL BACK IN THE DAY
ROY ORBISON UPDATED MASTERPIECE SWAN SONG UNPARALLELED - INCLUDES DVD, UNRELEASED GEMS
Thursday, May 8, 2014
Sit back, relax and turn up the music as you travel back in time
click car
Sit back , relax and turn up the music as you travel back in time- with a few trivia questions to answer...
CLICK BELOW
'Lost in the Fifties' - RONNIE MILSAP
What Model and Year?
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| '___________________ Tastes Good, Like A Cigarette Should' |
Cheap Gas - AND SERVICE, too!
'Cold Ones in the Ice Box' - Sam Cooke
'Saturday Night at the Movies' by the Drifters
The 'M & M' boys - Roger hit 61 in '61 with an asterisk
(still the homerun king for the post -154 game era in our hearts)
Labels:
1959,
78s,
A B Chesterfield,
Cadillac,
Chesterfield,
Cokes,
Drive In Movie,
Fabulous Fifties,
Fleetwood,
Ice Box,
JUKEBOX,
Memories,
Mickey Mantle,
nostalgia,
Records,
Roger Maris,
Shell Gas
Tuesday, April 8, 2014
RARE, INTIMATE CA MUSIC VENUE, FOUNDER OF 50 YEARS FLIES UNDER RADAR
Legendary Bach and Dynamite Society Founder PETE DOUGLAS offers a brief tour
here while espousing on his philosophy of music venues and jazz in today's world
First time over the weekend at this wonderful experience -more that just a club . Loved Judy Wexler's vintage vocals with quartet but might have enjoyed almost anyone at this amazing, intimate one-of-a-kind live music 'venue ' on the Pacific Ocean at Half Moon Bay, CA. Congrats to Pete Douglas of the unusual named 'Bach and Dynamite Society' -no, you won't normally hear Bach here - for not only 50+ years of great music but in such an ambient, intimate music experience ON THE OCEAN - unheard of in this day and age.
The performance 'room' holds a maximum 200 with no seat more than 35 feet ( seven rows) away. Performers come here as much for the experience as anything. (Simple math of $40 average ticket x 200 doesn't leave a lot left over for anyone) Sure, there are rough edges to the place - and plenty of evidence of its pre-1964 origins - but that's part of the charm. Savor the spectacular ocean views while sipping wine - you may bring your own (no corkage fees) - from the second story room adjoining the concert venue, which sort of resembles a cozy 1960s ski lodge with fireplace and wood-paneled walls. Food is available too, but not from Volume Services but a nice woman who makes it and services it herself - and and will tell you EXACTLY what you're eating. Or, go downstairs between sets and walk right down to the beach and the soaring waves - only a few hundred feet walk to the right. In a more commercial setting, such as the Ritz Carlton up the road,
one would pay hundreds of dollars for such an experience - if one could even FIND music there.Here it's less than $40 a ticket for most shows. (No , we're not publicists or any relation to the B & D...)
'We are the boutique venue,'explains Douglas.'
In the past I described the boutique music venue as a small room with 150 or less seats for discerning audiences prepared to pay the price to not be in an impersonal crowd. The dictionary describes boutique as a "specialty shop". Well, the Douglas Beach House is a boutique music venue -- designed to capture the musical spark that connects people to the music. No more jamming people in the room just to be able to pay for the talent. We are not going to book headliners exclusively, but continue to book the best emerging talent as well as proven veterans musicians from the past. But if our audiences want top talent with all the intimacy and comfort possible, then we must pay for it. We will charge anywhere from $35 to $45 and beyond. We will continue two sets of music, not a 1 1/2 hour show. Two sets give the audience and musicians a break to digest more demanding music and gives the audience a chance to talk to each other during intermission -- which they will in a small room.' continued
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| DISCOUNT TICKETS |
'Nobody planned its beginnings,' says Pete Douglas, in his HISTORY of the Bach and Dynamite Society. It just evolved from the first private jam sessions at home in the summer of 1958. Growing up on the beaches of Manhattan and Hermosa in LA, I hung out in jazz clubs hearing Swing and early Be Bop and the cool sounds of West Coast Jazz of Shorty Rogers, Art Pepper, Shelly Mann, Chet Baker at the Lighthouse Café. Graduating from Santa Barbara College in 1955, I had no thoughts of operating a conventional jazz club, and eventually was hired as an Adult Probation Officer in San Mateo County just below San Francisco. Needing to get back to the beach, I purchased an abandoned beer joint on the ocean in Half Moon Bay, proceeding to live in it like a refugee from the Beat Hipster scene of the 50’s. I was later to be canned from the Probation Dept. for leading an undesirable life for a County official.' continued
'Our rustic Beach House has continued to be supported by our members and audiences since we were incorporated as a nonprofit in November of 1964. But will our audience continue to be those discerning people (with some money)? After all, the pop/rock audiences pay over $100 to be in a crowd of thousands just to say they heard the music live. An audience always senses when musicians have found their voice. Have a little patience and you'll be rewarded. Today many people do not recognize musicians whose musicianship is incredible but do not have the notoriety of past innovators--a Dizzy Gillespie, Stan Getz and Lester Young. Perhaps what we have to charge at the door will be an indication of the best touring groups and musicians. '
Why did it take me so long to get to the Bach and Dynamite? It's the Best kept musical secret around. Shhh! Don't tell too many people... just enough to keep this place happening ! Check out Pete's favorite current pianist (performed with Stan Getz and others) later this month- or others @ discount prices! Pete will likely be there in the audience , perhaps even dancing to the music.
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