Courtesy 'Remnants of a bygone era' Facebook
An aging Buster Keaton with aging actress Gloria Swanson in Sunset Blvd and how Hollywood quickly loses interest once stars start aging.
Billy Wilder’s Sunset Boulevard (1950) is one of the most celebrated films of Hollywood’s Golden Age, blending film noir with biting social commentary on the industry’s treatment of aging stars. The film stars Gloria Swanson as Norma Desmond, a once-glamorous silent film actress struggling to reclaim her former stardom. Opposite her is William Holden as Joe Gillis, a struggling screenwriter who becomes entangled in Norma’s delusions of a grand Hollywood comeback. The film’s eerie atmosphere, sharp dialogue, and unforgettable performances solidified its place as a cinematic masterpiece, offering an unflinching look at the dark side of fame and the passage of time.
One of the film’s most poignant moments is the bridge between silent-era legends and Hollywood’s then-modern age, exemplified by cameos from silent film stars, including Buster Keaton. Keaton, one of cinema’s greatest comedic innovators, appears in the film’s famous “waxworks” scene, where Norma Desmond hosts a card game with former silent-era stars such as H.B. Warner and Anna Q. Nilsson. Though brief, Keaton’s presence is significant—his expressionless, weary face silently comments on the fate of many silent film actors who were cast aside with the rise of talkies. His appearance, alongside Swanson’s role as the delusional Norma, underscores the film’s central theme: Hollywood’s tendency to abandon its former icons in favor of new talent.
Gloria Swanson’s performance as Norma Desmond remains one of the most iconic in film history, embodying both the grandeur and tragedy of a bygone era. A former silent film queen herself, Swanson brought authenticity to the role, drawing from her own experiences in early Hollywood. The film’s legendary final scene, where Norma declares, “All right, Mr. DeMille, I’m ready for my close-up,” has become one of the most quoted lines in cinema. Sunset Boulevard remains a haunting and timeless exploration of the fleeting nature of fame, ensuring its status as a definitive classic of Hollywood’s Golden Age.
Seems like the big political question of the week or year is 'Why would the Democrats not want to reduce the budget by cleaning up all the many things DOGE is finding out GOVT. has misused money for -i.e. millions and even billions of dollars going to countries that don't deserve it , going for nonsensical things and not helping America ?' Well, the answer to that question is two-fold : 
